Ancestry Quarterly is a print publication. The magazine’s writers and designers have three jobs- their day’s work, the publication, and a new and burgeoning creative agency. They’re walking the ropes and reaching always for more. AQ is a forum for that middle ground, the space between “day job and dream job”.
Lauren and Jordan, AQ Art & Marketing Directors, asked if I could help with a natural dye project for new tee shirts. We tested a few plants but decided on walnut for its dark color, lack of mordanting required, and availability. We harvested walnuts off the ground that’d been there for a year and soaked them for one day in a large stainless steel pot. The walnuts simmered the next day for 45 min and we extracted a rich brown-black hue. After a three man filtration step, and two hours of Jordan’s shibori work, the tees were added to the bath.
These weren’t just any old tee shirts- they’re Jungmaven. Made from drought-hardy hemp, Rob Jungmann’s knits are the product of years of experiments and going back to the drawing board. His goal is “Everyone in hemp by 2020,” and if you felt the hand of his tees, you wouldn’t mind replacing your Hanes with his hemp.
It’s easy to work with a label like Jungmaven as their culture and values feel good and fit with my own.
Two full days of work and one wash later, the shirts are marked with the twisted memories of Jordan’s shibori binds and the slow steel grays of the walnut bath. This is my second collaborative project with Jungmaven tees. The hemp and cotton blends absorb natural dyes easily, and each time- the end result in an expression of the dyers themselves. This time- adventurous, spiraling, layers and layers of complex skeletal folds.